Found 2 collections related to Kean, Ellen, 1805-1880

The Leigh Hunt manuscript material in the Pforzheimer Collection consists of writings and correspondence. The writings include: a holograph draft of his poem, "Jenny Kiss'd Me"; a holograph fragment of his preface to Shelley's Mask of Anarchy; and his address book circa the mid-1850s. The bulk of the correspondence is dated between 1817 and 1826 and discusses his experiences in Italy, including the death of Shelley; family matters; and publishing business. Correspondents include: the Irish poet William Allingham; the philosopher and reformer Jeremy Bentham; the writer and painter William Hazlitt; the writers Percy Bysshe and Mary Shelley; and over seventy others. less

The William Appleton collection consists of letters, handwritten manuscripts, "penny plains" and "two-pence coloured" materials, which were small portraits of actors created for the toy theater trade, a once-popular form of home entertainment. The collection encompasses the late 17th century up through the mid-20th century, although the bulk of the material falls between the mid-18th century and the mid-19th century. The oldest item is a letter from actress Elizabeth Barry to a Lady Lisbourn, dated October 25, 1697. The latest item is a letter from playwright George Bernard Shaw to a J. T. Grien, dated November 28, 1930. The collection contains many letters from prominent theatrical figures, primarily of the English stage, including Ira Aldridge, Dion Boucicault, Edward Gordon Craig, David Garrick, Sir Henry Irving, Edmund Kean, William Charles Macready, Bernard Shaw, Sarah Siddons, Dame Ellen Terry, and others. Also included are black and white portraits known as "penny plains," and color portraits known as "two-pence coloured," depicting actors and actresses of the day in their best known roles. These images were intended for home use in puppet theater-type settings, and most date from the early to mid-1800s, though some date as far back as 1799. less